![]() Indeed, these parallel mise-en-scènes, along with the obviously similar opening deaths, might alert us to other similarities among the first two Friday the 13 th films and Hostel and Hostel: Part 2. These details seem to mirror each other too precisely to be an accident, and it seems Roth is purposefully evoking Friday the 13 th, Part 2 in his own sequel. ![]() On Alice’s table, moreover, we see the word “News,” while Paxton’s table sports a newspaper. ![]() What’s striking about both these scenes is not only the cats that feature in both, but the virtually identical milk cartons in Alice’s fridge and on Paxton’s table. As was the case for Alice, fear becomes reality, and Paxton’s girlfriend finds his bloody body, minus head, in the kitchen one morning. He’s haunted by the fear that members of the Elite Hunting Club will find him and kill him-and he’s right. Hostel: Part 2 begins with Paxton back at home, still suffering nightmares after his traumatic experiences in eastern Europe. Like Alice, Paxton (Jay Hernandez) is a survivor, having escaped the distinctly unwelcoming Slovakian hostel of Hostel. It’s also a narrative trick that Eli Roth adopts in Hostel: Part 2. Still traumatized, she lives only long enough to see the worst of her nightmares realized: while making tea and feeding her cat, Alice is attacked and killed by Jason Vorhees, bent on avenging his mother.Īlice’s death is shocking for any viewer who may have expected (and hoped) she would reprise her role as plucky survivor: it approximates the devastating murder of Marion Crane (Janet Leigh) halfway through Psycho (Alfred Hitchcock, 1960). ![]() Although she survives the first round of carnage at “Camp Blood,” Alice’s luck runs out as Friday the 13 th, Part 2 begins. įriday the 13 th famously ends with the Final Girl, Alice (Adrienne King), decapitating Pamela Vorhees (Betsy Palmer). Cunningham, 1980) and Friday the 13 th, Part 2 (Steve Miner, 1981), but with a crucial difference. In my third post on the Final Girl, I argued that Halloween H20 (1998) and Halloween: Resurrection (2002) signaled the end of the traditional Final Girl of the slasher plot-and that things were about to change as we entered the twenty-first century.Įli Roth’s Hostel (2005) marks that change-a change that Roth makes clear by having the ending of Hostel and the beginning of Hostel, Part 2 (2007) echo the iconic Friday the 13 th (Sean S. ![]()
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